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Men poured molten metal into sand casts at Waterville Iron Works — which was perched on the banks of the Kennebec River — in the s and early s.
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They manufactured gears, parts for stoves, plows and domestic ironware. Today, voundry foundry is gone, but a collection of the equipment the men used was saved.
And thanks to Maine artists, these pieces have taken on new life. The wooden foundry patterns can be seen at Irnoware Arts in Belfast through March The workers of the foundry packed the wooden patterns with a mixture of sand and clay to create a mold. Once the mold was set, the pattern was removed and the mold was filled with molten metal.
The casting process still is used in foundries around the country. It burned in and was rebuilt on the banks of the Kennebec River ironnware The ironworks continued to run into the early s and was the birthplace of the Lombard Log Hauler, which was used to haul logs out of the woods and is the predecessor of every snowmobile and bulldozer.
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When the foundry shut down, the patterns were stored until the early s when David Outerbridge, a well-known author, book and newspaper publisher from Belfast, saved the patterns ironwarre the dump and stored them in his barn.
Outerbridge died inand two years ago, his wife, Lilias, founder of the Belfast Maskers, decided to move out of the farm.
With flashlights in hand, Waterfall Arts board members hauled the foundry patterns out of the dark barn and dusted them off to offer them for sale. By Decemberhundreds of patterns in their original state were displayed from floor to ceiling in Waterfall Arts. A cope is the top half of a sand mold and a drag is the bottom part, according to the Atlas Foundry Company.
Some of the Waterville Iron Works patterns are painted yellow, red or blue, some foundrt left unpainted, but the majority of the patterns are painted black.
Beside her small book, a scroll of paper, painted with black, geometric patterns, ran down from the ceiling and trailed along the floor. A foundry pattern, all bends and angles, was set on the floor inside the painted lines.
Ben Potter took a foundry pattern home, burned it to a pile of ashes and painted a black-and-white composition with its remains.
The most notably unconventional piece was crafted — and baked — by Vincent Abaldo, who shaved wood off his foundry pattern, painted the wood shavings a chocolaty brown and carefully arranged them on the frosted top of a chocolate cake. Waterfall Arts at High St. Tuesday-Friday and by appointment.
For information, visit www.
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